Martin Gayford

How Michael Craig-Martin changed a glass of water into a full-grown oak tree 

Martin Gayford talks to the celebrated British artist about philosophy, humour and his obsession with everyday objects

‘Sea Food’, 1984, by Michael Craig-Martin, Waddington Custot, London. © Michael Craig-Martin.  
issue 14 September 2024

‘Of all the things I’ve drawn,’ Michael Craig-Martin reflects, ‘to me chairs are one of the most interesting.’ We are sitting in his light-filled apartment above London, the towers of the City rising around us, and we are discussing a profound question, namely, what makes an object a certain type of thing? Or to put it another way, what makes a chair a chair?

Craig-Martin’s career has been characterised by what he calls ‘my object obsession’.

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