Alexandra Coghlan

Bach’s Cello Suites represent a spiritual meditation — from the Nativity to the Resurrection

It’s not a theory, the cellist Steven Isserlis insists, merely an ‘instinctive reaction’ — but it’s a striking argument

John Sebastian Bach (from Payne’s Universum, 1847). [Alamy] 
issue 23 October 2021

‘One player on four strings, with a bow.’ That’s what Bach’s six Cello Suites boil down to, says Steven Isserlis. It sounds simple enough, until you add more than 100 editions and 200 recordings into the equation, not to mention countless books, chapters and articles all wrestling with a work Isserlis calls ‘a Bible’ for cellists.

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