Norman Lebrecht

Antonio Pappano on diversity, a new Ring cycle and defending Verdi from dodgy directors

Opera is not for the young: the Royal Opera House’s longest-serving music director talks to Norman Lebrecht

issue 29 February 2020

The horse beats me to the stage door by a short nose. Known as Tiz, it’s an opera specialist who comes up from Norfolk for 10 a.m. rehearsal and is driven back home each night. Tiz is on call right through the Fidelio rehearsals — unlike, as Sir Antonio Pappano points out, the star tenor who does not show up for the first act.

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